In today’s hyper-connected globe, the meaning of national identity is no longer rigid, and we’re seeing a dissolution of cultural borders as we travel through our devices. This shift in mentality is happening against a turbulent geopolitical backdrop as countries prioritise regional allies.

From decentralised autonomous organisations (DAOs) run on Discord to city-wide mutual aid groups, people are finding safety and optimism in numbers. For growing numbers of people, collective action is emerging as the only viable solution to compounding crises and deepening alienation.

In a hyper-connected world, it feels like everything previously ‘insider’ is more available than ever: from behind-the-scenes access to the lives of public figures to travel experiences immersing people into worlds previously deemed unattainable. But while people embrace this community-based inclusivity and u...

Diverse representation is an expectation, but as individuals no longer allow themselves to be defined in singular terms, there's mounting pressure on brands to understand and sensitively reflect how the intersections between race, gender, class, and ability impact people's everyday lives.

Online community radio has proven highly popular among Gens Y and Z by providing platforms for musical discovery and community connection. Their independent status enables these broadcasts to bypass the constraints of mainstream radio and represent diverse communities of curators and listeners alike.

NTS Radio has become one of the most influential sources of music discovery for a global community of listeners interested in sounds beyond the mainstream. By understanding its approach to human connection, how can brands maintain a DIY community spirit on a global scale?

Amid a golden era for independent radio, Do!!You!!! has attracted a community of dedicated listeners by providing an engaging alternative to commercial broadcasting. But how does the platform provide its audience with a sense of community and belonging? And what does this mean for music fandom?

Throughout the pandemic, many Britons turned to radio for a sense of comfort and security. Yet while the likes of BBC Radio 2 and Capital FM may play popular music, they’re not popular among all listeners. How are independent stations gaining ground with audiences outside of the mainstream?