Diverse representation is an expectation, but as individuals no longer allow themselves to be defined in singular terms, there's mounting pressure on brands to understand and sensitively reflect how the intersections between race, gender, class, and ability impact people's everyday lives.

In Vice's Unfiltered History Tour, visitors to the British Museum can use an app to experience exhibits with alternative commentary about how pieces arrived at the institution. The move speaks to the desire for diverse cultural representation and highlights the need to acknowledge past wrongs.

A campaign for the Social Mobility Foundation highlights the class pay gap using the imagery of horror movies to dramatise the social stigma felt by working-class Britons. Popular culture has begun to reflect changing attitudes about class, and campaigns like this are reflecting this social unease.

Having enjoyed cult success in the early 2010s,Top Boy’s return to people’s screens via Netflix has seen the show garner worldwide appeal. How is its authentic portrayal of Black life in London reflective of viewer demands for nuanced content that features marginalised communities?

As Indigenous communities push for greater inclusivity and representation Down Under, fashion is becoming an important space in which to establish new narratives rooted in heritage. How can brands help boost the cultural visibility of First Nations Australians without engaging in mere symbolism?