These days, any event, be it significant or minor, is available to 'stream' through social media. From wars to traffic jams, it's almost guaranteed that someone, somewhere will be live tweeting or Vine-ing it. The New York Times has announced 'Watching' – a new stream format addition to its homepage.

We've never been so interested in TV shows - but we aren't watching TV. Instead, we're turning to online video - whether it's Netflix or YouTube. But new technology isn't solely responsible – a wider shift in lifestyles is creating a natural path towards hyper-diversification.

Political dramaHouse of Cardspremiered in February 2013, exclusively through Netflix. The streaming giant's first purpose-made series, it reflects the growing power of digital channels and points towards new kinds of viewing behaviour.

With personalised subscription-based services like Netflix and Spotify changing the way people consume film and music, is e-reader iPhone app Oyster planning on doing the same for books?

The Apple App Store houses over one million apps. Despite once trying to do everything, apps are now being split into single purpose platforms. But how do people actually use them? And which is more useful – the Swiss Army knife approach or a tailored, single purpose app?

Netflix has 50 million subscribers, and it's offered in over 50 countries – but Australia isn’t one of them. So what do Australians do when they want to stream a movie? They do exactly the same as the rest of us, and watch Netflix – only they do it illegally.

With the rise of unlimited streaming services like Netflix, Hulu and YouTube, more people are cutting the cord to TV services in the US. According to research published by Leichtman Research Group, around 150,000 people cancelled their services in just three months in 2014.

The word ‘webisode’ isn’t often associated with quality viewing. Finding content worth watching usually means trawling through cat videos and porn. Yet one in three Americans would give up TV in favour of online. CanHigh Maintenancechange perceptions of made-for-web content?